Through-composed

Now that I have conducted several looping experiments with the Integrated Frequency system, this is a short through-composed (non-looping) composition.

The first section is in R20 (essentially the key of E), using the full spectrum of the 30-note scale. The middle section is in R30 (the key of B), again using the full scale-range. The final section returns to R20, however, the ending chord cadences on B Major, while the ending low note is E.

The first and last sections are in 75BPM, congruent with the R20 scale, while the middle section is in 56.25BPM, congruent with the R30 scale.

I endeavored to use interesting aspects of the overtone scale, such as melodic microtonal gestures, contrapuntal chromaticism and harmonic motion.

(For more information, please see my article Integrated Frequency)

Somewhere (for Violin and Piano)

Integrated Frequency - Through-composed