7 Attributes of a Complete Contemporary Musician- Part 7

Attribute #7: In the previous six blogs, we have seen that the complete contemporary musician will have a meaningful purpose for his work (Attribute #1).  He will be open to cultural influences, learning from great artists of the past (Attribute #2), as well as embracing the creativity of other contemporary artists (Attribute #3).  He is able to both improvise and read music (Attribute #4), and is willing to study and participate in new innovation (Attribute #5).  He will have a rich understanding of both composition as well as performance (Attribute #6). 

In this seventh and final blog, we will discuss that the Complete Contemporary Musician is willing to teach and train the next generation of artists.

It is not enough to simply achieve artistic greatness for the sake of one’s own personal goals.  That is certainly more noble-minded than the pursuit of fame and fortune, but there is yet a deeper and more profound meaning to an artist’s existence.  He must be doing more than serving his aspirations for the sake of his own name, or the duration of his work, but rather have an awareness of a larger historical context.

The sincere artist is part of a much bigger picture.  He is part of a community that is influencing the course of human existence in the expansion of noble purposes and eternal consequences.  Upon the accomplishment of his life’s work, a sincere artist will have influenced society on a much more profound level than what can be measurable by Billboard’s top 10 list.

“Greater love has no one than this, that one lay down his life for his friends.” (Jn. 15:13)

An artist’s ultimate goal should not be that of fame, notoriety, wealth and personal gain.  Rather, it is the propagation and continuance of the very inspiration and beauty he has stewarded throughout his life.  The flow of the creativity he has nurtured, and the inspiration with which he has co-labored, must be carefully handed over to the following generation.  Successfully passing the baton insures that this flow will continue to influence succeeding generations.  Some call this an artist’s legacy, but it is really not about the artist at all.  It has more to do with the inspiration being transferred than it does the skills and philosophies of the artist himself.

“And the things which you have heard from me in the presence of many witnesses, these entrust to faithful men, who will be able to teach others also.” (2 Tim. 2:2)

“Older women likewise are to be reverent in their behavior…teaching what is good, that they may encourage the young women…” (Titus 2:3-4)

The Scriptures are full of admonishment to train and educate the younger generations.

“He has also set eternity in their heart…” (Eccl. 3:11)

Whether we like to admit it or not, our journey on this earth is finite.  We can somehow perceive eternity, but this eternal vision should not cloud our thinking when it comes to how precious the commodity of time really is.

The priests who ministered in the temple were given a set number of years that they would serve.  “This is what applies to the Levites: from twenty-five years old and upward they shall enter to perform service in the work of the tent of meeting.  But at the age of fifty years they shall retire from service in the work and not work any more.  They may, however, assist their brothers in the tent of meeting.” (Num. 8:24-26)  There is a time in life to shoulder the burden, and then there is a time to step back and help those who are carrying the load. 

Teaching and training is a precious commodity.  “Like apples of gold in settings of silver is a word spoken in right circumstances.” (Prov. 25:11)  “Oil and perfume make the heart glad, so a man’s counsel is sweet to his friend.” (Prov. 27:9)

The willingness to give the wisdom and skillful knowledge gained, combined with the inspiration from which it came, is seed sown, ultimately producing a harvest.  This harvest is not just for the student, but for the teacher, as well.  As we give away what we know, more is given back to us.  This miraculous process of teaching and training deepens the roots of the very things we have shared, giving us even richer insights than what we initially gave away.

Perhaps J.S. Bach did this out of necessity, but the role he lived as teacher to those around him produced exponential benefits in his artistic work.  Even though he didn’t have the modern tools of our day, he was able (through delegation, training and leadership) to produce a huge quantity of music, arguably greater than anything produced in our generation. 

The only way an artist’s 'legacy' can be perpetuated into history, causing exponential influence, is through this process. 

There is a sacrifice, however.  It takes a willingness to look beyond the natural human desires of today’s prestige.  It takes an eye to see another artist’s burgeoning creative pursuits, along with the compassion to give away time and energy you would otherwise have used for your own work.  It takes patience to help the maturing artist see in himself what you have seen in him, and the willingness to push past his natural human failings, knowing that the treasure hidden inside is worth mining.   

The sacrifices, however, are well worth the effort and even though the giver may only see the results through heaven’s eyes, ultimately, there will be a harvest of eternal proportion.   

 

(for more, I encourage you to read “What About Fame?”)



10 Lessons I've Learned from J.S. Bach (part 8)

The eighth lesson J.S. Bach taught me is to give who you are to your family.

Bach had a very large family, and he included all of them in his musical vision.  Out of his family came two historically distinguished composers in their own right: Carl Phillipp Emanuel (C.P.E.) Bach and Johann Christian (J.C.) Bach.

As I wrote in the previous blog, father Bach may have taught and trained his family members musical skills simply out of necessity, so that he could keep pace with the needs of his ministry.  Copying music, rehearsing sections, etc. may have been done by his family members, much like a farmer and his family would work together as a team to keep things running.

Although this is probably part of the benefit that he gained by spending time with his family, as he gave them the musical skills he had acquired, I believe J.S. Bach's motivation was deeper than that. 

It's obvious that he had a passion for what he did, and this passion spilled over to every part of his life.  His passion and dream was to bring an offering to God of highly crafted music, the best that he could give.  This life-quest couldn't help but be influential to everyone he was around, especially his children.

When at the end of the day, instead of watching 5 hours of television, or playing video games, Bach would gather his family around the piano and sing together, each child contributing a musical part, perhaps playing an instrument, or taking turns on the piano.  This was their established routine, but it was also their recreation, their fun.

The test of greatness for any teacher is to take something that is complex and difficult and make it fun for the student.  I believe, even though his children showed him respect, that father Bach did his part to make this a fun time for them.   He couldn't separate his love for his family from his life's passion, nor did he have to.  He simply gave them who he was, in a fatherly way, and that was enough.

What were the other families doing?  Were they out playing games together?  Or maybe they weren't doing anything at all.  Maybe other families didn't have the rich times of enjoyment that the Bach family had.  Maybe the Bach family was the envy of the town, being able to come together and sing and worship together.  Undoubtedly, the material Bach must have used for these times was filled with spiritual lessons, through the lyrics.

Bach was never ashamed of who he was as a father, a Christian, a musician of the highest standards, and his heart was to give to his family who he was.  His interaction with his children was interwoven with his dream, and they picked up on it.  He was a man of truth, and for him to be one way 'at the office' and another way 'at home' wouldn't have worked for him.  He didn't compartmentalize his life.  Rather, he lived a vision and a dream big enough (like a big stretched-out tent) to include all of those he loved.

The test of a man's greatness is not how much money he has made or how famous he has become, but rather it's the favor and respect he has from those who are closest to him, his own family.  Respect cannot be demanded, but rather it must be earned through years of consistent love and sacrifice. 

Someone once said that "imitation is the sincerest form of flattery".  His family both respected him and imitated him.  It was his greatest legacy.

Application: Don't worry about what you think you lack as a parent, just give who you are (who God has made you to be).  Give them your dream, a dream big enough for all of them to enter.  It's their greatest inheritance.

10 Lessons I've Learned from J.S. Bach (part 7)

The seventh lesson J.S. Bach taught me is to teach and train others.

There is a distinct difference between teaching and training.  Teaching is simply giving out information to those who are listening.  Training, however, is guiding the student into the life-integration of these principles.  When the principles have been completely absorbed into the subconsciousness of the student, it is at this point that the student is fully trained.

Bach was constantly training those around him.  He trained his children, his young students, his community, and ultimately, generations of musicians to come.

His intent was to give who he was to others, to distribute his knowledge.  Possibly, it was out of necessity.  He needed a veritable army of skilled people to surround him with aid, those to whom he could delegate tasks of such things as copying parts.  But I believe he had a deeper conviction than simply delegation for the sake of productivity.  One of the main goals of Christianity is that of sharing God's grace with others.  "Go therefore and make disciples of all the nations..." (Matt. 28:19)  Bach, a student of the Bible, had read this passage.  Notice the emphasis of making disciples.  The word 'disciple' means 'disciplined follower'.  I believe that Bach's ultimate goal was to do his part in the propagation of the Gospel, by raising up disciplined followers who would carry his dream of great music in the Church, proclaiming the Gospel through music for generations to come.  I believe he envisioned the potential of his dream echoing into the future through those he trained.

He wrote numerous musical studies for his students to use, but in a larger way, one could almost say that his entire corpus of creativity was profoundly educational.  It seems like everything he wrote took on an intellectually stimulating voice that beckoned: "look a little deeper, there's a hidden secret I want to share with you". 

How many generations of musicians did he effect?  Mozart, Beethoven, Chopin, Schumann, Mendelssohn, Brahms, Bartok, Stravinsky, to name a few.  His work is still being studied by contemporary creators.  Who knows how many more will follow?

Not only did Bach train his immediate students and community in the art of producing highly-crafted music, but he also successfully facilitated his dream of proclaiming the Gospel into future generations.  "That the generation to come might know, even the children yet to be born, that they may arise and tell them to their children, that they should put their confidence in God." (Ps. 78:6-7)  Bach, perhaps, has had a greater Christian witness than some of the greatest preachers and theologians throughout history.  His life's example of unselfishly sharing and giving to others will continue to echo through the generations.

Application: Don't allow the contemporary attitude of competitiveness to hinder you from giving to others, building others up with encouragement and assistance.  As you give your life away, you never know how far-reaching the effects will be.